Whetherman - The Great Lull

Whetherman
The Great Lull
(Adorable Records)
By: Naimah Holmes

Nicholas Williams is a one man band; he handles everything from vocals and guitar, to the lute. His sound is soulful and reflective. The opening track "Sundial Sunset" recalls afternoons at the beach with old friends. In "Following To Catch Up" Williams reminds himself ( Don’t let it mark your heart It’s just love catching up to the good parts) and thus allowing himself to feel and not turn away from a situation that will in the end make him a stronger person. "My Window" is a lesson in heartbreak and moving on he sings (This is it But I guess I knew since Everyone told me and later Do what you do So long as it doesn’t hurt you.) "A Writer" is the strongest track on the record, finding Williams at his most vulnerable. His voice strong, lyrics truthful, and guitar playing delicate. "The Army Hymn" is another standout track. This particular track includes a bit of a string arrangement that in no way overshadows, but, compliments the light backing vocals. The Great Lull is gentle yet so strong in its tone.

Williams has crafted great songs, his lyrics build stories. His music creates a warm, inviting atmosphere. He’s found a way to make his work relatable and genuine in a world where all you need is a computer and microphone to make music stand out. Whetherman is an unsigned artist and his sophomore release The Great Lull is available via Adorable Records

Adorable Records | Myspace

OUT TODAY: The Hard Lessons - Arms Forest

There are many, many things that I love about my home state (Michigan). For instance, I like sitting on the beloved Swinging Bridge in my hometown or swinging on the swings at the Lexington Harbor with my homies during the wee hours of the morning. I also love that my mom will make me Gołąbki even when it’s the middle of July and 90+ degrees. Though I enjoy these things a lot when I come back to visit, my FAVORITE thing about Michigan is the music that comes out of Detroit, Ann Arbor, and other Southern Michigan cities...

Enter: the Hard Lessons.

Their latest album, Arms Forest, was released today and I honestly couldn’t wait for this day to come. Not because I didn’t have the album – but because I think this album deserves to be heard by as many people as possible. Yes, folks, it’s that good. Most of the songs from the album are already on my “Top 25 Most Played” playlist on iTunes. Obsessed? Oh yes. There’s no shame in admitting it, either.

To celebrate the release of Arms Forest, the Hard Lessons (consisting of Augie and Korin Visocchi on guitar/vox and keyboard/vox, respectively, and Ryan Vee on drums) played three homecoming shows: two in Hamtramck, MI and one in Detroit (Photos soon!). I attended all of them and I dragged my friends with me and these shows converted my friends into Hard Lessons fans. They decided that after much deliberation (in this article, “deliberation” means listening to Arms Forest after the Detroit show for hours, for hours, for hours...), Arms Forest is the best album they have heard this year thus far. I hadn’t thought about that yet, but I have to agree.

Every song on this album has something different about it. “Roma Termini” has a little bit of a techno thing going on, “Wedding Ring” is such a beautifully composed song, “Manoogian Zoo” has the verse “So welcome to the Detroit Zoo...“ in the song, which gives me a warm, fuzzy, nostalgic feeling for some reason. Of course, you will have some typical, Augie–and–Korin–will–kick–your–face–in songs, such as “Sound the Silent Alarm” and the title track, “Arms Forest”. After hearing the latter mentioned songs (or seeing them live), you’ll understand why “kick-your-face-in” songs are a very good thing.

This article is probably getting a little bit too long, but I can go on for days about the album and how incredible it is. Not just the songs, either, but the concept of Arms Forest and what that means, and the album artwork and how pretty the vinyl is... However, I think it’s best if you just go and buy the album right now. However, if you want me to talk your ear off about Arms Forest, you know where to find me. Maybe. ~ Jade Amey

MySpace | Official Site

Amy Kuney - Birds Eye View

Amy Kuney
Birds Eye View
(Spinmove Records)
Reviewed By: Naimah Holmes

The opening track of Amy Kuney's Birds Eye View, "Simple Things," sets the tone of the record as whimsical, lighthearted, and full of heart, a reminder that "It's the simple things that make us feel at home." At times it sounds as if every song is meant to stand alone. Each is strong lyrically and Kuney’s voice is full and just as lush as her music. The general theme of Birds Eye View is that of love, whether it's being lost in "Would You Miss Me," gained in "Thank You For Last Night," or being dissected in "Love is Trippy." What is lacking in fluidity and alignment Kuney more than makes up for with her skill in arrangements. Kuney's got a knack for blending piano, acoustic guitar, horns, strings, and backing vocals as this album proves.

Birds Eye View is a sparkling debut from a gifted singer whose YouTube videos caught the eye of Damien Rice this past summer. Soon after, Kuney had gotten herself a roundtrip ticket to open for Rice for a string of shows in Iceland.

MySpace | YouTube

Psychic TV/PTV3 - Mr. Alien Brain Vs. the Skinwalkers

Psychic TV/PTV3
Mr. Alien Brain Vs. the Skinwalkers
(Sweet Nothing/Cargo Records)
Reviewed By: Izzy Cihak

The latest release from Psychic TV/PTV3 is an erotically morbid pastiche of Industrial Psychedelica and GlamCore – something along the lines of …Trail of Dead as a tribute to Bowie. The album is a culmination of all the sounds that Genesis Breyer P-Orridge has indulged in in recent years, from the hiply simplistic to the darkly avant-garde. "Papal Breakdance" is a glittering of phat beats, "Pickles and Jam" is the daunting and beautiful sound of Apocalyptic hopelessness, and "I Love You, I Know" is the sweetly mechanical love song of a musical documentarian. Even P-Orridge's irritatingly predictable covers can't produce scoffing: Syd Barrett's "No Good Trying" remains surprisingly traditional and Velvet Underground rarity "Foggy Notion" is even more sonically satisfying than the original. The album's highlight, however, is Michael Gira's mix of "New York Story," a NYC devotional as aesthetically astonishing as those of Mr. Reed himself. On Mr. Alien Brain P-Orridge finds a sound that is both radically listenable and perfectly pretentious – possibly something that only someone with thorough exposure to both Aleister Crowley's The Book of the Law and the Toilet Boys' debut could fully appreciate.

MySpace | Official Site

Coconut Records - Davy

Coconut Records
Davy
(Young Baby Records)
Reviewed By: Jade Amey

If you love Jason Schwartzman as much as I do, then I’m sure you were eager to get your hands on his sophomore album earlier this week. Recording under the alias Coconut Records, Schwartzman’s second solo effort, Davy, is just as good as his first, Nighttiming.

Davy is reminiscent of a Sgt. Pepper’s . . . era album, complete with horns and the sounds of an orchestra warming up, distinctly heard in the track “Drummer.” Little piano numbers such as “Any Fun” can take you back to this Beatles album as well, yet, the song “Courtyard” can remind someone of an Elliott Smith tune with the soft acoustic guitar only the lyrics aren’t as depressing.

Aside from the comparisons, another reason why you should like this album is because it keeps you interested, especially after the first few all-the-way-through listens (not on shuffle, either!). Most songs on this album consist of neat endings, be it Schwartzman yelling and jamming, or little tunes; “I Am Young” and “Is This Sound Okay?” are good examples of this. This system that Schwartzman worked out with his songs is refreshing; you don’t hear many albums that do this anymore.

2009 will be a great year for music. Davy is a prime example of this. Lets keep this trend up, my musically-inclined friends!

MySpace | Official Site

Mariah Carey - The Ballads

Mariah Carey
The Ballads
(Columbia)
Reviewed By: Chelsea Schwartz

Finally a Mariah Carey collection that takes you back to the days when Mariah ruled, especially for those of us who grew up going to Bar & Bat Mitzvah's where all the best slow dance songs came from the lovely and talented songstress. And if you're anything like me, you never bothered to pick up a Mariah Carey album while growing up because you couldn't decide which one to buy first! Well brothers and sisters, the solution has finally appeared with the release of The Ballads. (read more)

MySpace | Official Site

Von Iva - Girls on Film

Von Iva
Girls On Film
(INgrooves)
Reviewed By: Izzy Cihak

Until recently there was thought that there's to be little to be found in the soul of a punk aside from safety pins and dated zines. But with the evolution of bands like the Gossip and the Yeah Yeah Yeahs into acts fit for mainstream consumption, the world of music has found a lush and dance-able electro soulfulness in select punk divas. San Francisco's Von Iva epitomizes this pastiche of sounds with a sincerity and authenticity previously unknown.

The sound of Girls on Film, Von Iva's third release, can only be described as mirror balls shattering under Chuck Taylors. "Livin for It" and "Electricity" are fit to be anthems for rainbow-flavored dance clubs around the world, "Guise" combines the attitude of Max's Kansas City with the musicality of Studio 54, and "Birds of Prey" is the sound of a brassy and sassy brand of feminist eroticism. Von Iva are the perfect example of the kind of girls who are not only elegantly and fashionably out of your league, but who could also beat your ass on and off the dance floor without breaking a sweat or devaluing their designer kicks.

MySpace | Official Site

Your Best Friend - Your Best Friend

Your Best Friend
Your Best Friend
(Unsigned)
Reviewed By: Naimah Holmes

There are very few bands that can sell over 1000 copies of a self-titled self-released album within the first three months of its release, but Your Best Friend just happens to be one of those bands. With a sound that is both traditionally and progressively rock, YBF will keep you on your toes. Their music is a refreshing new twist on what others have been trying to accomplish for quite some time. The difference being that their aggression and straightforward manner isn't muddled with unnecessary effects or strained vocals. YBF are John Bonham [(guitar, keyboard, vocals) -- no, not that John Bonham], Dale Brown (bass, vocals), Steve Sochanek (guitar, vocals), and Nick Edler (drums, vocals). Their arrangements are controlled, their vocals have a great exchange in style, and lyrics are straightforward, hiding nothing. Their sound is organic and their influences can be heard throughout the album. (read more)

MySpace | Official Site

The Ettes - Look At Life Again Soon

The Ettes
Look at Life Again Soon
(Take Root Records)
Reviewed By: Izzy Cihak

With The Strokes and The Vines out of the spotlight, it's finally safe to go back to the garage. Joining the ranks of the Gore Gore Girls and the Charms, The Ettes' second full-length, Look at Life Again Soon, brings sounds until-recently thought to be relegated to Herschell Gordon Lewis films and only the most pretentious record store clerks. The Ettes manage to blend authentic 60's Garage Rock with a modern audible chicness that could underscore any downtown, underground psychedelic dance party or the edgiest uptown runway show. In under 28 minutes vocalist Lindsay "Coco" Hames spits through 11 tales of teenage lust gone awry. Simplistically pissy chorus-driven tracks like "I Get Mine" and "Pay Up" sound like The Gossip as produced by Phil Spector while "You Can't Do That To Me" and "Girls Are Mad" have them sounding like Black Rebel Motorcycle Club on a cocktail of nitrous and amphetamines.

MySpace | Official Site

Civet - Hell Hath No Fury

Civet
Hell Hath No Fury
(Hellcat Records)
Reviewed By: Izzy Cihak

The sound of Hell Hath No Fury can only be described as bubble-gum-coated kink. Civet's self-branded "Femme Fatale Punk Rock" blends the brash audacity of 1977 with easy-to-swallow (and quite yummy) hooks and choruses. On their second full-length the band produces the most playfully brutal sounds since The Distillers. "Take Me Away" and "Gin and Tonic" are chorus-happy sing-a-longs, while "Alibis" and "1989" are equally suitable for dance-floor brawls or rocking bathroom stalls at any punk club in the world. Even the trite-tastic "All I Want," co-penned by Tim Armstrong (and likely intended for someone along the lines of Avril Lavigne or Kelly Clarkson), comes off as endearingly faux badass – possibly your little sisters' gateway to The Donnas' Lookout! years. In the tradition of Crucified Barbara and Betty Blowtorch, Civet continue to prove that hot chicks with painted lips, an abundance of ink, and a vast knowledge of Motorhead's back catalogue rarely disappoint.

MySpace | Official Site

Alive in Wild Paint - Ceilings

Alive in Wild Paint
Ceilings
(Equal Vision Records)
Reviewed By: Naimah Holmes

A certain environment is being built within the songs that make up Alive in Wild Paint's debut album, Ceilings: that of loss, faith, and maturity. Within the first seconds of the title track a story of two sides of desperation is told through the lyrics of Travis Bryant (vocals, guitar.) He sings of the need to save a lover ("I helped you out of your self and right back in.") Later the object of his affections need to lose not only themselves, but the relationship itself ("You whisper soft if we’re lost. Don’t turn around. We’ll take our time to arrive.") From a love lost to a reminder that fragility is the product of the mind in “Crystal Selves” explaining that boundaries are there for you to break through ("Sometimes some time is all it takes to change your mind. Aching the absence wondering were you’ve been."). Determination can be found in the form of “ God Gave Me a Gun” and “Anxious Disease” tells of an inevitable breakup. “II” is the tale of an empty life hidden behind what the world wants to see as perfect ("When you take a bow the curtains close. They will applaud you for playing the role of a wretched child with a bleeding nose.). “Traffic” is the most haunting of all the tracks, with such delicate piano between Bryant’s elegantly emotive voice. “Sleep With Your Soul In” is where their rock influence can be found. Their musicianship shines bright with Matt Grabe (guitar/piano), David Roat (bass), and pounding away at the drums that give until the very end. In “Forecasting” a love becomes stale and one-sided in the way of affection ("How quickly he forgets that you exist. And he never comes alive quite the way you’d like. It keeps you where you are."). “Everywhere, An Ocean” has Bryant reasoning with a choice to make peace, to settle or make the decision to abandon something he’s built to find some uncharted territory ("And it’s fear of what the sun would see beckoning me into.") Suprisingly, or ironically, “Children of Divorce” is the most upbeat song on the album as the characters try to prove themselves they are reminded ("But they can’t take from you. Something inside you never knew."). “Cold Spell” lingers as it tells of a transformation after the loss of something or someone you thought was all you wanted ("It’s a cold spell casting over everything we’ve felt. When there’s no one left to tell I keep it to myself."). The hurtful remainders of a relationship, where the two who were never meant to make one is what can be heard on “ A Vespertine Haunting” ("I never meant to leave dear I just thought I would arrive. But it seems here I’m never quite alive.")

It may take two listens to get the feel for this album. Lyrically this work is strong. At times the music itself seems to overpower what Bryant has to say. There are great stories told throughout the album and lessons to be learned by its conclusion.



MySpace | Official Site

Maggie Walters - Midwestern Hurricane

Maggie Walters
Midwestern Hurricane

Reviewed By: Izzy Cihak

While music journalists have spent the past decade looking for alt-country stars in Sonic Youth's touring partners and anyone collaborating with Emmylou Harris, they somehow seem to have missed Maggie Walters. After more than a year of sitting on the shelf, and many years struggling to break out of the Texas music scene, Maggie has released her second full-length, Midwestern Hurricane, the most somberly beautiful album of the year and the best thing the genre has heard since Tanya Donelly's Beautysleep.

Without the aid of any Stooges covers or six-minute-long audible walls of distortion Ms. Walters still manages to sound edgier and certainly racier than any of her peers. This is likely, at least in part, due to the choice of Butthole Surfer Paul Leary as producer, a man whose never had a problem blending the unpretentiously progressive with the enjoyably accessible. Tracks like "Girls Like Us" and "Captain" are reminiscent of Jewel in lo-fi, but lacking in any kind of put-on grandiosity, leaving their sentiments of sexuality and worship endearingly sincere. "You Got Something" is even reminiscent of Chris Cornell's solo work, yet with a silky personal intimacy not likely to be found in the stars of KROQ.

The flawless musicality of the album manages to never be at odds with itself, allowing each piece, whether it be the lazy strum of a guitar string, the prolonged hum of a cello, or the delicately deviant sensuality found in Walters' throaty voice, to imbue the listener with an ineffably gentle pain. The melancholy and erotic delicacy found in the album's sound make it an equally suitable soundtrack for lonely nights at whiskey bars or rainy Sundays spent between the sheets.

MySpace | Official Site

Kings of Leon - Only By The Night

Kings of Leon
Only By The Night
(RCA Records)
Reviewed By: Chelsea Schwartz

And the winner for album of the year, 2008, is...

Kings of Leon for their 4th studio album Only By The Night in-stores today, September 23rd. Holy wow, the Kings of have done it again. Granted I've been a fan for many moons now and I've continued to be increasingly impressed with everything they do, but this time they've really blown the fish out of the water. So imaginative, so scenic, so luscious, so rockin', and just all around incredible. Everything from the subtle piano on "Notion" to the unique bass lines on "Use Somebody" - this is not an album to consider getting... it's one you MUST get. In fact, no words could do this album justice, so do us both a favor and just go grab yourself a copy of Only By The Night now.

MySpace | Official Site

Wednesday 13 - Skeletons

Wednesday 13
Skeletons
Reviewed By: Izzy Cihak

The closeted skeletons referred to on Wednesday 13's latest album are more likely to come wielding spandex pants and Aqua-Net than butcher knives and chainsaws. Although this isn't the first out of the closet experience for these skeletons, as Wednesday has publicly admitted to his fandom of Tuff, Shotgun Messiah, and Spread Eagle, it's certainly the first time these influences have been so audible. Skeletons is more or less what White Zombie would've sounded like, if only they'd started their career opening for Stryper at Gazzari's. (read more)

MySpace | Official Site

Cinematic Sunrise - EP

Cinematic Sunrise
A Coloring Storybook and Long-Playing Record
(Equal Vision Records)
Reviewed By: Naimah Holmes

With fans bombarded with 100 new bands a day, bands find it even harder to prove themselves day after day.You'd think things would be easier when you have a built in fanbase. For Craig Owens and Bradley Bell of Chiodos, along with Bryan Beeler (guitar), Marcus VanKirk (bass) and Dave Shapiro (drums) this comes as a welcomed challenge. Owens fronts while Bell takes to the keys in this upbeat, happy go lucky band. It's that light-hearted/good time approach that sets Cinematic Sunrise apart in a landscape of bands that are more into playing up the gloomy side of life. (read more)

MySpace

The Sort - Resentment, Despair, & Other Amusements

The Sort
Resentment, Despair, & Other Amusements
(Black Bag Records)
Reviewed By: Izzy Cihak

While "Mean Nouns" is most likely the hippest song title of 2008, The Sort are probably not going to find themselves on the pages of Vice Magazine, sharing bills with Girl Talk, or partaking in any other cliché sponsored by American Apparel. Instead, the sound of the Richmond-based five-piece's debut album, Resentment, Despair, & Other Amusements, hearkens back to the mid-90s, a time when girl-fronted bands were allowed to kick ass, a time when something had to be more than ironic to be cool, and a time when teen angst was shouted, not pouted. (read more)

MySpace

The Vacation - Get Used

Get Used, by Los Angeles' own The Vacation, will instantly become one of your favorite rock albums of 2008. Released digitally on May 20th, Get Used is the answer to our rock n roll resurrection prayers. From the dirty ballads to the raging guitar solo's, The Vacation know what rock n roll is about and High Voltage recently got to spend a few minutes with frontman Ben Tegel... (read more)

MySpace

Phantom Planet - Raise The Dead

Phantom Planet
Raise The Dead
By: Mai Huynh

Ten years and a handful of albums later, Phantom Planet, is making a strong comeback. But did they ever leave? Not really. Their new album, Raise the Dead, is definitely resurrecting old Phantom Planet fans. Raise the Dead is far from the Phantom Planet I remember listening to as a teenager. It’s more rock and less clean cut, with heavier guitars and bass lines and more howling from lead singer Alex Greenwald. (read more)

MySpace | Official Site

Does It Offend You, Yeah? review

Does It Offend You, Yeah?
You Have No Idea...
reviewed by Kim Johnson

I've come to the conclusion that if Daft Punk, Muse, Justice and PlayRadioPlay had a baby at a rave, it would come out sounding exactly like DIOYY! Weird analogy I know, but let me explain. I swear it makes sense. (read more)

MySpace | Official Site

Kiros - A Single Strand

Kiros
A Single Strand
(Torque Records)
reviewed by Kim Johnson

Ticket-less and pretty much stranded, a friend and I strolled around a gas station near the Verizon Wireless Amphitheater in Irvine, CA where day one of the second annual Bamboozle Left festival would be held. (read more)

MySpace

Dear And The Headlights

Dear And The Headlights
Small Steps, Heavy Hooves
(Equal Vision Records)
reviewed by: Naimah Holmes

There's something so fresh and alluring about Dear And The Headlights. You notice it the first time you listen to Small Steps, Heavy Hooves. The warmth of Ian Metzger's voice accompanied by the melodies from both guitars and bass, and the pulsing of the drums. Every song could be the soundtrack to your life, weaving in and out of memories as if you were flipping through an old photo album. (read more)

MySpace | Official Site

New York Dolls - Live At The Fillmore East

New York Dolls
Live At The Fillmore East
(SonyBMG)
reviewed by Izzy Cihak

Recent, and not exactly scientific, evidence has proven that punk's authenticity can be proven not with a specific number of safety pins in one's shirt, but when one has at least three times as many live releases as studio albums. (read more)

MySpace | Official Site

Counting Crows - Saturday Nights & Sunday Mornings

The Counting Crows
Reviewed & Photographed By: Chelsea Schwartz

When I was a little girl I remember waking up to the sounds of August and Everything After by the Counting Crows blasting through the house stereo on Sunday morning as my father would cook up a massive brunch and the smells of bacon, eggs, and bagels consumed the house. It’s such a pleasant memory to relive and every time I hear that record I think about those weekends. Needless to say, over the years, I have become a huge Counting Crows fan following them from one record to the next. (read more)

Photos Taken at The Grove, Los Angeles, CA on April 3rd, 2008



MySpace | Official Site

Kate Nash - Made Of Bricks

Kate Nash
Made of Bricks
(Geffen/Fiction)

With the changing of years comes a new brassy, underage, British songstress gracing MTV. Surprisingly, this time around the Date Show Network is actually pushing someone worth listening to. After cracking the top 40 in several European countries, Kate Nash's debut album, Made of Bricks, has finally made its way to the states. The album is a collection of delightfully told fables about things like a friendship with a skeleton and a girl who chose to glue her mouth shut. (read more)

Official Site | Myspace

Kevin Bowers - Nine Story Building

Kevin Bowers
Nine Story Building

Kevin Bowers is a talented musician releasing his second album entitled Nine Story Building, which he wrote, arranged, and produced. The record has much diversity and range with each song able to be labeled into a different genre. Jazz, Emo, Blues, and Pop all spring to mind listening to this disc. At initial instinct, such musical range is a positive feature: cutting down on the boredom provoked by some monotonous records. But in this case, there is little to tie the songs together, due to the diversity, so it feels as if the listener is being cheated out of a plot to the story. There is no consistent theme or even genre, so Nine Story Building lives little to be desired as an album.

Some of the songs are good stand-alone pieces that are enjoyable to listen to such as, "Possibility," "Have Mercy," and "Waiting for a Table." These songs range from fun and upbeat danceable tunes to a nice instrumental jazz piece. These were interspersed with less than fun and undanceable tracks. There are moments on each tune of various instrumental solos (from horns to xylophones to organs) where Bowers' musical prowess is recognized, but overall, the album falls a little short. — Jennifer Fowler

MySpace | Official Site

Jotto - Jotto

Jotto
Jotto

Jotto has a background like no other; their music has spent the past three years living in the nightclubs, bars, galleries, and warehouses of Philadelphia and upon graduating art school, they've taken the time to record their first E.P. Okay, so maybe their story isn't exactly unique, but the music that they've produced is some of the most interesting to come from the artists currently emerging out of the Philadelphia and Brooklyn art scenes.

Over the years Jotto's sound has shifted from pretentious "rock poetry," to the kind of Dance Rock found in bands who would support Panic! At The Disco, but for their E.P., the band has left behind anything one-dimensional that they have explored and come up with something that's extremely danceable, but not juvenile and clever, without being pompous. They've toned down all clichés and come out as a band that would be equally at home in a coffee shop or a dance party.

The album is a musical homage, of sorts, to the legends of NYC. "On The Road," has the band sounding like the Yeah Yeah Yeahs in their lighter moments; the Jazzy, horn-laden "Backyard Circus" holds more than just a passing similarity to Luscious Jackson; and at time's vocalist Aaron Fisher-Cohen's lazy, untrained vocals are almost reminiscent of Johnny Thunders in ballad mode. Unfortunately, there are also moments when the band sounds more like the cheesy pop of Beck, but they generally stick to their influences of a higher quality.

If you're not busy guzzling PBR and shaking your ass to the New Wave grooves of tracks like "Future," you'll find that the heart of the band seems to lie in Fisher-Cohen's lyrical storytelling. For this release, he's crafted six witty, yet poignant tales of NYC, being on the road, and jaded chicks from the perspective of any other young art-schooler who might not have his ability to reflect quite so eloquently. There are, however several beyond trite references to "diner lights," "punk haircuts," and a "C.B.G.B. girl," which come off sounding like pathetic attempts at scene credibility that tend to smudge his narration.

The biggest problem with this debut is that before going into the studio for the first time, the group made the decision to write all new material, instead of finally recording the songs that they had been crafting and rearranging over the years in front of Philadelphia audiences. Consequentially, the music found on the E.P. is not necessarily the band's best. While none of the songs included are especially poorly constructed, they're not indicative of what the group have proven to be capable of. Besides, it would've been nice to give fans a chance to own all of their favorite songs that previously could only be heard on MySpace or in concert.

Even though their debut sounds somewhat lackluster and rushed, the release of Jotto's E.P. legitimizes their place in the scene and ensures that it's only a matter of time before they have people in striped scarves dancing on crushed cans of PBR and first-year photography students waxing poetic about the beauty of growing up in New Jersey. — Izzy Cihak

MySpace | Official Site

The Warlocks - Heavy Deavy Skull Lover

The Warlocks
Heavy Deavy Skull Lover
(Tee Pee Records)

Apparently dull really is hip. It’s hard to question the hipness of a band born out of Brian Jonestown Massacre, but The Warlocks’ latest release, Heavy Deavy Skull Lover is about as exciting as cutting-room-floor excerpts of Saw 17. Of course, any knowledgeable consumer of music could foresee this before purchasing a full-length release with only 8 tracks.

What made The Warlocks arguably the most interesting of the incestuous PDX/San Francisco scene queens (Brian Jonestown Massacre, The Dandy Warhols, Black Rebel Motorcycle Club) was their melding of such extreme sounds, from Goth to Psychedelic to Shoegaze to Brit Pop and Punk. Well, all comparisons to The Jesus and Mary Chain, The Velvet Underground, and Sisters of Mercy can be forgotten, as the band has focused exclusively on the Spaceman-3-and-Dead-Meadow-inspired aspects of their sound. While the sprawling album comes to an end at just over 50 minutes, without the help of certain psychedelic chemicals, the experience of listening will have you feeling like you’re stranded in the desert with a half-asleep Thurston Moore. The album’s most painful track is certainly “Moving Mountains” which drones on seemingly without purpose for almost eleven minutes. While “So Paranoid” is reminiscent of some of the band’s more impressive ballads and “Zombie Like Lovers” wouldn’t be out of place in the group’s back catalogue or any indie dance party, these two tracks are far from enough to keep Heavy Deavy Skull Lover listenable for anyone aside from people who wear hemp jewelry and those who are willing to brave any circumstances, climate, or pretentious, nearly-instrumental bore released on Tee Pee Records to keep from smudging their scene credibility. — Izzy Cihak

MySpace | Official Site | Tee Pee Records

New Atlantic - The Streets, The Sound, The Love

New Atlantic
The Streets, The Sound, The Love
(Eyeball Records)

Over the past few years the east coast has been buzzing about New Atlantic. Among the devoted fans were a few naysayers who doubted New Atlantic's powerful pop-rock would go anywhere at all. With a few national tours under their belts and now their highly anticipated debut, The Streets, The Sound, and The Love, New Atlantic puts all the negative energy behind them and focus on what's to come. They cover it all from missing the ones you love while on the road ("Cold Hearted Town"), to reassuring those you've left that you'll be back and think of then often ("Layer Up"), and knowing when it's time to let go ("The Ever After".) It's safe to say that New Atlantic are worthy of all the praise they've gotten, from word of mouth to interviews everyone can find something to rave about. Their sound is smooth and uplifting, and the lyrics are truthful and comforting at best. If they continue to push themselves to be greater than they already are, that's all I could hope for. The Streets, The Sound, and The Love is a great addition to any music lover's library, you'll be spreading the word in no time. — Naimah Holmes

MySpace | Official Site | Eyeball Records

Sayyes. - For Tents and Starry Skies

Sayyes.
For Tents and Starry Skies

Sayyes. are a band from Alaska. I know very little about the state but I do know that rock is alive and well there. Singer/guitarist Eric Gettinger's vocals go from soft and soothing to forceful and emotive in little over a second flat. Accompanied by Alex Bourne on keys, guitarist Jerimiah Patterson, bassist Jered Williams, and drummer Daniel Randle, Sayyes. have a sound of their own.

"Perfect One" finds that love is everything but perfect, and that realizing the love you have for yourself is greater than any external source. "Quadballs" is a pop-punk song that's sure to get you moving with thoughtful lines such as "Everything that you want / That you dream about is just two steps away / So don't be afraid." "Hold It Against the World" makes you realize that whatever it is you're going through is smaller than you think. Bearing witness to someone acting as if they've already been defeated is a hard task to take on. Helping them realize that they're stronger than they think is even harder. "My Summer Part 1" is a beautiful take on loss with lines such as "What am I suppose to do when you say I'm done now / I can't forget but I'll forgive." Heartbreak is something you learn from regardless if you're ready to let go. Looking for comfort within his faith Gettinger sings "God help me / Don't leave me out in the cold / I feel so alone / I know that I cannot do this alone / So I'm trusting you." "The Ballad (Speechless)" showcases the bands talent as musicians in a technical light. One by one each instrument is folded into one another. All the while being woven through warm vocals, then all is blended into a delicate guitar solo with a lush string arrangement. Lyrically the band is ahead of their time, and the music is close behind. At times rushed, and maybe a little over eager, Sayyes. know what they're going for as a whole. Who could say "no" to that? — Naimah Holmes

MySpace

Oreskaband - Oreskaband

Oreskaband
Oreskaband

Need to get rid of some pent up energy? Oreskaband has the perfect sound for you. I'm at a loss for words. I don't speak Japanese, wish I could, but that didn't stop me from playing Oreskaband over and over again. "Pantime" had me shaking my hips so much it hurt. "Yeah! Ska Dance" was worthy of skanking (yes I had a ska phase) around my living room and "Knife & Fork" didn't allow me a second to catch my breathe. Luckily "MonkeyMan (Monkey Monkey Man)" with its groovy sing along breaks allowed me to do so. When "The Boy-S" rolled around all bets were off and I was right back to where I started. By the end of it all my house looked like it'd been torn apart by the Tasmanian Devil himself. Now if only I had a Japanese to English dictionary so I'd know what I'm clumsily singing along to! — Naimah Holmes

MySpace | Official Site

Daphne Loves Derby - Goodnight, Witness Light

Daphne Loves Derby
Goodnight, Witness Light
(Outlook Music)

With just a few clicks of a mouse you can find out all you need to know these days about your favorite band. And you will without a doubt come across the Seattle area's Daphne Loves Derby. A four piece of twentysomethings who've learned to stretch their legs on their second album Goodnight, Witness Light (on Outlook Records). Vocalist Kenny Choi's voice has improved from sometimes straining to effortlessly emotive and full. Every aspect of the band has been elevated to a higher level. The transition from one track to the next was well thought out. DLD have found their stride and no longer second guess their steps.

"Cue the Sun" shows vulnerability and strength (And if I don't come home tonight/Just know I tried my best to fight/Please don't think I plan to lose to the night) in knowing that trying to get past your fears no matter how small takes courage. "To Struggle with Light Colors" finds DLD looking back on mistakes in love and life (She always said I was too silent/And I never found the words to entertain her/Maybe I tried just too hard to always be clever/While she always starved for simple words to keep her safe). Choi has become more confident, despite the mention of "the beast" that stays close behind, as mentioned in the bands debut "On the Strength of All Convinced." There are tales of strained relationships ("The Best Part About It Honey", missing home ("Hello Color Red"), and learning not only about yourself but just how big the world is("No One Is Convinced").

They've come a long way, and deserve all the good that comes their way.
Goodnight, and good luck. — Naimah Holmes

UPCOMING DATES
Oct 5 @ Gothic Theater --- Englewood, CO
Oct 6 @ Club NVO --- Logan, UT
Oct 7 @ Neonopolis at Jillians --- Las Vegas, NV
Oct 8 @ The Brickhouse --- Phoenix, AZ
Oct 9 @ Soma --- San Diego, CA
Oct 11 @ Glass House --- Pomona, CA
Oct 12 @ The Avalon --- Hollywood, CA
Oct 13 @ The Underground --- Roseville, CA
Oct 14 @ Slim's --- San Francisco, CA
Oct 16 @ Hawthorne Theater --- Portland, OR
Oct 17 @ Chop Suey --- Seattle, WA
Oct 20 @ Beat Kitchen --- Chicago, IL
Oct 21 @ Varsity Theater --- Minneapolis, MN
Oct 23 @ Mac's Bar --- Lansing, MI
Oct 24 @ Agora Ballroom --- Cleveland, OH
Oct 25 @ Xtreme Wheels --- Buffalo, NY
Oct 26 @ School Of Rock --- South Hackensack, NJ
Oct 27 @ The Harmony Grange --- Wilmington, DE
Oct 28 @ Trocadero (EARLY SHOW) --- Philadelphia, PA
Oct 29 @ Living Room --- Providence, RI
Oct 30 @ Webster Theatre --- Hartford, CT
Nov 1 @ The Knitting Factory --- New York, NY
Nov 2 @ Club Relevant --- Virginia Beach, VA
Nov 3 @ The Brewery --- Raleigh, NC
Nov 5 @ The Masquerade --- Atlanta, GA
Nov 6 @ The Orpheum --- Tampa, FL
Nov 7 @ AKA Lounge --- Orlando, FL
Nov 9 @ Javajazz --- Houston, TX
Nov 10 @ Rock Bottom Bar --- San Antonio, TX
Nov 11 @ The Door --- Dallas, TX

MySpace | Official Site | Outlook Music

Quiet Company - Shine Honesty

Quiet Company
Shine Honesty
(Northern Records)

Quiet Company's style is mellow, and singer Taylor Muse's voice has an almost airy quality that is by no means overlooked when accompanied by his delicate piano playing in Shine Honesty's 13 tracks. The transition from one song to the next is seamless, and almost unrecognizable.

The discs first track, "How Many Times Do You Want To Be In Love", is a question you may have never found the courage to answer. The music swells and the mood lightens just as you find yourself comfortable enough to do so. "Fashionable" shows the regrets of a failed relationship as Muse searches for something familiar to comfort him when all seems lost. He then learns, "Life is what you make it/Because love is what you've made of it/And I made a friend." At times you can be your biggest enemy and it's then that you have to light a fire under yourself. "Tie Your Monster Down" says perfectly "You've got to raise your voice sometimes to get things done/I'm not the monster here/You've got to break some legs sometimes to get things done." "So Graceful" is what every girl wants to have written for her, a sweet and simple reminder of the love you've always known to be there for you. "Circumstances" seems to have the band catching their breathe, a power pop tune, and the most forceful of the album (it's what I've known while listening that they are capable of all along). It almost seems too easy for them to come out of their shells.

Every song stands on it's own and tells of love, reassurance, and the excitement that comes with being on your own for the first time. While Shine Honesty is filled with melodic hope, it lacks the ability to pick up the tempo just as the song starts to build itself up, it seems to cave in on itself. Their strength is in the uninhibited lyrics, and their knack for lush, beautifully sculpted arrangements. It almost seems as if Muse is afraid he might break what it is he's built so meticulously.

The sense of a love so young is felt throughout the disc, and it becomes apparent that the songs are meant for the one who has his heart. All in all Shine Honesty is a love letter, a declaration of who and what got them to where they are today. You can almost tell that Muse just wants to get everything right, like an artist trying to capture a moment perfectly through painting - however this time, musically. — Naimah Holmes

UPCOMING DATES
Oct 5 @ Pianos --- New York, NY
Oct 6 @ Cafe Napoli's --- Watertown, CT
Oct 8 @ The Middle East Club --- Cambridge, MA
Oct 10 @ Arlene's Grocery --- New York, NY
Oct 12 @ Appalachian Brewing Co. --- Harrisburg, PA
Oct 13 @ Gooski's --- Pittsburgh, PA
Oct 14@ The Nite Owl --- Dayton, OH
Oct 15 @ The Poison Room --- Cinncinatti, OH
Oct 18 @ The Boro --- Murfreesboro, TN
Oct 19 @ the Nook --- Huntsville, AL
Oct 21 @ The Capture Studio Cafe --- Tuscaloosa, AL
Oct 22 @ Swell-o-Venue --- Jackson, MS
Oct 23 @ Cactus Jack's --- Ruston, LA
Oct 24 @ The Jackrabbit Lounge --- Shreveport, LA
Nov 8 @ The Darkside Lounge --- Dallas, TX
Nov 9 @ The Spot --- Tyler, TX
Nov 11 @ Stubb's BBQ --- Austin, TX

MySpace | Official Site | Northern Records

Matt & Kim - Matt and Kim

Matt and Kim
Matt&Kim
(Iheartcomix)

I've often wondered what would happen if the tall guy I often see in the local thrift store and the girl from the art center in town got together and made music; I can only hope that it would be half as great as these spunky Brooklynites. Matt & Kim power through 10 brutally poppy tracks and never miss a beat. You might just have to hit pause in an attempt to catch your breath. From the toe tapping "It's a Fact (Printed Stained)," to the spazy "YeaYeah," this band is a guaranteed party starter. You won't be able to keep still, and by the time you get to "Lightspeed" you'll be begging for mercy. This is without fail my new musical crush. They're fun, spontaneous, energetic, and playful. They've got it all and I want some more! — Naimah Holmes

UPCOMING DATES
Oct 2 @ Logan square auditorium --- Chicago, IL
Oct 5 @ Oberlin College --- Oberlin, OH
Oct 17 @ Bandersnatch Music Series --- Syracuse, NY
Oct 25 @ Paradise Rock Club --- Boston, MA
Oct 26 @ Starlight Ballroom --- Philadelphia, PA
Oct 28 @ The Fest --- Gainesville, FL

MySpace | Official Site | iheartcomix

Young Love - Too Young To Fight It

Young Love
Too Young To Fight It
(Island Records)

If your nightlife is in need of a pick me up, you need Too Young To Fight It. There aren't many who can blend perfectly crafted 80's synth, strong falsetto, and powerful guitar solos into one album but Dan Keyes, Young Love's frontman, seems to know what he's doing. "Discotech" sets the mood with its infectious drumbeat and catchy chorus that tells of late night hookups ("I can't help it / The way I'm feeling / It's gonna happen"). "Give Up" and "Closer To You" are both songs of longing with gentle guitars and soaring harmonies that make yearning for the unattainable seem poetic. The album's title track brings a reggaetón, trip-hop vibe to the sweaty nightlife Keyes preaches about. Grit, sweat, love, loss, and a little recklessness are thrown in to round it all out. New York City never sleeps and Young Love's got what it takes to keep it moving.

— Naimah Holmes

Official Site | MySpace | Island Records

Mêlée - Devils & Angels

Mêlée
Devils & Angels
(Warner Bros)

It seems these days three out of every four bands hail from California, and that two of the four are worth talking about. Enter Mêlée, a young, vibrant quartet led by singer/pianist Chris Cron's emotive voice and energetic piano playing. Devils & Angels, the band's debut album on major label Warner Brothers, ranges from hopeful tales of love ("Built To Last"), mid-tempo memories ("For A Lifetime"), to showing support for the ones you love ("Can't Hold On To This"). No matter the subject being tackled, Cron along with guitarist/vocalist Rick Sans (who shares writing duties with Cron), bassist/vocalist Ryan Malloy, and drummer Mike Nader know exactly how to allow their lyrics and musicianship stand alone while complimenting each other perfectly. "Love Carries On" and "You Got" have a rich 70's vibe, the latter with heavy guitar effects throughout. "She's Gonna Find Me Here" shows vulnerability at its best while being comfortable with the notion of falling in love and not having to pretend to be someone you're not. Devils & Angels is a very strong showing for a debut from such a young band.

— Naimah Holmes

Warner Bros | Official Site | MySpace

Coconut Records - Nighttiming

Coconut Records
Nighttiming
(Young Baby Records)

After Jason Schwartzman left Phantom Planet to pursue acting I was sure he was gone from the music world forever; luckily I was wrong.

Four years after leaving Phantom Planet and a few slick indie films later, Jason’s back as an one-man band. When I first heard that everything on this his album Nighttiming was written, played and sung by him I thought it would be an ambitious project, but once again I am eating my own words. The first two songs are a bit bland but right away you are able to get a sense of where Schwartzman is trying to go with this album. It is very Beach Boys meets The Shins meets Modest Mouse (listen to "The World At Large"). While most albums go on the straight and narrow with either all indie-pop, all punk rock, or all surf pop, on this album there is a bit of EVERYTHING, including some good ‘ol fashioned disco, which is one of the reasons why I love it.

"Its Not You Its Me" is a great standout track that just captures your attention. It makes you think of summer from the very beginning and I had a sudden urge to join in the "hey na na na na na na na's." The guitar riff at 1:34 is a great touch to remind us that Schwartzman really is an outstanding musician. It doesn't have the most complex set of lyrics but for those just searching for a catchy summer pop song this will quench that thirst. Schwartzman shows off some diversity with a raw, country-acoustic song called "Mama" which kind of sounds like it could be a nasal-ly Ben Kweller tune at first. However after listening to the track a few times, I found that it added a lot of character to the entire album. No matter how much you try to deny it the title track, "Nighttiming," is definitely a disco song. I listened to it five times trying to determine whether or not Schwartzman made it a disco song on purpose or if it was just an accident to my ears but the chorus and intro confirmed the fact that this is definitely is. It was especially discerning when I closed my eyes and was able to picture a skate rink with a disco ball, swirly lights and John Travolta. "West Coast" (Phantom Planet's "California" part deux perhaps?) turned out to be quite a delight on this record. It is light and fun with a hint of nostalgia wrapped up in melancholy. Much like the rest of the album, there is a secret in every song waiting to be discovered.

I have a feeling Jason Schwartzman is trying to tell us that he can do everything and that we will never be able to pin a single genre or career path to him. It is a great summer album in which you can almost imagine Max Fischer serenading you while listening.

Standouts:
Its Not You Its Me
Nighttiming
Summer Day
West Coast
The Old Machine
Back to You

— Mai Huynh

MySpace | Official Site

The Shins - Wincing The Night Away

The Shins
Wincing The Night Away
(Sub Pop)

I'm sure you've heard of the band that would "change your life." With just a few words The Shins went from an obscure indie crush to a full blown commercial love story. They are known for their orginal brand of sleepy-garage rock that you might've caught your mom humming along to from time to time.

Singer/songwriter James Mercer and company are back and this time they're not in it for you. They're not here to save your life, they simply want you to know that you can learn from your mistakes and failed relationships. "Phantom Limb," the first single, is sure to catch your attention with it's groovy chorus of "ooh's and ahs." "Sea Legs" is a departure from what you may have come to expect and a great surprise with it's heavy grooves and synth beats pulling you to the dancefloor. "Red Rabbits" may remind you of the dreamy nature of previous works; Mercer seems to want to give up, warning "I might just give the dark side a try." "Turn On Me" chronicles the end of a once pleasant relationship saying "You had to know I was fond of you though I knew you masked your distain."

Part of Wincing's charm is its ability to make you comfortable while hearing a very uncomfortable situation being played out. This is a band unafraid to try new things and skeptics of the band should do the same and ignore the hype. Every track stands seperate from the bunch and the overall tone isn't at all as overwhelming as some breakup songs can be. The familiarity is what will keep long-time fans listening and get newcomers tapping their toes along. — Naimah Holmes

MySpace | SubPop

Copeland - Eat, Sleep, Repeat

Copeland
Eat, Sleep, Repeat
(Militia)

Copeland is a band known for singer-songwriter Aaron Marsh's devastating vocal acrobatics and meticulously crafted lyrics with help from drummer Bryan Laurelson. The band's second release, In Motion, caught some longtime fans off guard with its more aggressive approach in the song arrangements. On Eat, Sleep, Repeat, Marsh and company have found the perfect balance between the melodic dance that was their debut release Beneath the Medicine Tree, and the independence of each track on their latest release, which makes the jump from indie label The Militia Group to major label Columbia Records complete.

The title track asks "Is it any surprise that you feel so overwhelmed / Do you think it's unwise to go and break yourself on this one?" In the same breath its seems Marsh answers his own question replying "All this time you didn't know love." "I'm a Sucker For a Kind Word" has the narrator questioning not only security in his relationship, but also that of his lover. It seems his mind races just as fast as his heart.

Copeland are pros at incorporating piano and string sections into their work almost forcing fans to picture their songs in their minds. In "When You Thought You'd Never Standout" you can hear the doubt and accidental support found by the end of the song with lines like "Didn't I see you when you thought you'd never stand out." "Careful Now" warns of repeating mistakes of the past while the piano driven "Love Affair" shows off Marsh's knack for melody and layering. "By My Side" explores the issue of pessimistic doubt and hurt pride in a doomed relationship and a "world without peace"; similar to that of an airplane plummeting to the ground but all the while sounding like a lullaby. The album as a whole is a narrative of relationships in their ever changing states. The doubt, hope, fear that embodies the one thing everyone strives to have - love in its purest form, however it may come. — Naimah Holmes

MySpace | Official Site | The Militia Group | Columbia Records

John Mayer - Continuum

John Mayer
Continuum
(Sony)

Continuum is John Mayer's third studio album and first turn at producer. He predicts the future of a damned relationship on "Slowdancing In a Burning Room," fights nature and emotional foes in "Gravity," and tries to keep what's his in "Vultures." This is Mayer's most cohesive work to date. Gone are the worries of high school politics and more mature issues accompany Mayer's beautifully woven guitar playing and sultry voice. With the release of 2005's Try! as the John Mayer Trio, a live jazz influenced album, Continuum is the most logical step for this detail-oriented artist. — Naimah Holmes

MySpace | Official Site

Cold War Kids - Robbers and Cowards

Cold War Kids
Robbers and Cowards
(Downtown Recordings)

If you ever wondered if redemption and regret had a sound, it does. You can find that and more on Cold War Kids' Robbers and Cowards. A husband and father whose alcoholism is taking ahold of him in "We Used to Vacation" he warns no one in particular "I promised to my wife and children I'd never touch another drink in my life again / But even then it sounds so soothing to mix a drink and sink into oblivion." "Hang Me Up to Dry" is a wise choice as a first single with a chorus that begs its listener to end it all wailing "Now hang me up to dry, you wrung me out too too too many times."

The men of Cold War Kids have surely made their mark in the snobby genre of indie rock, by blending gangly guitars, a singers' tortured and soothing voice, and an atmosphere all their own. The songs seem to be an confession for its characters; while they may be able to admit their wrongs, we don't expect change from them. Robbers and Cowards has a sense of familiarity to it, like running into a friend you haven't seen in years while drowning your sorrows in a bottle at 3AM. — Naimah Holmes

MySpace | Official Site | Downtown Recordings

The Shys - Astoria

The Shys
Astoria
(Sire)

The Shys debut album, Astoria, is the perfect soundtrack to a night out. Eleven perfectly crafted songs that remind you that someone out there still cares about depth in music.

Astoria is sequenced in a way that showcases the band's talents. With the beautiful duo of great accompaniment and the soulful voice of singer Kyle Krone, The Shys show that age is only a number, and youth lives in the lyrics in lines like "I'll be waiting on the sun / cause it's just too late to call it a night." The title track "Astoria" just begs you to sing and dance along while "Waiting On the Sun" is a slowdance in smoky bar.

The praise doesn't just stop at the album as The Shys live show surpasses the energy on their disc and adds amazing new dimensions to each one of their songs.

Whatever it is you're doing tonight, Astoria needs to be played. — Naimah Holmes

MySpace

Dashboard Confessional - Dusk and Summer

Dashboard Confessional
Dusk and Summer
(Vagrant Records)

It's been nearly three years since Chris Carrabba bared his soul to the masses. Carrabba's taken that time to grow, and maybe even outgrow the dreaded E-word that has haunted him in the past. The industry has other buzzwords to back now. Dashboard Confessional have come back swinging with Dusk and Summer. Ten perfectly sequenced tracks, meant to keep you company at any sunset.

"So Long, So Long," a duet with Adam Duritz of Counting Crows reminds us that saying goodbye only leads to a hello further down the road. "Slow Decay," a standout track, is a conversation between a father and his son after time spent at war. It is a reassurance that home is always the safest of places. The first single "Don't Wait" proves Carrabba hasn't forgotten how to make a scream elegant, while the title track "Dusk and Summer" makes you believe that summer love isn't unattainable.

There are many directions this album could've gone. For the Dashboard Confessional purist this may come as a shock, but heartbreak doesn't last a lifetime. You grow up and all that's left are the memories. For the newer fans this is a great introduction of what this band is capable of, great music with great meaning. — Naimah Holmes

MySpace | Official Site